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Do Higher-Order Music Ontologies Rest on a Mistake?BROWN, Lee B.British journal of aesthetics. 2011, Vol 51, Num 2, pp 169-184, issn 0007-0904, 16 p.Article

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Semiotics as a Method for the Study of Popular MusicDUNBAR-HALL, P.International Review of the Aesthetics and Sociology of Music (IRASM) (Zagreb). 1991, Vol 22, Num 2, pp 127-132Article

Can antistress music tapes reduce mental stress?HATTA, T; NAKAMURA, M.Stress medicine. 1991, Vol 7, Num 3, pp 181-184, issn 0748-8386Article

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Les messages de la musique avec et sans parolesLes Grands dossiers des sciences humaines. 2012, Num 26, pp 56-69, issn 1777-375X, 14 p.Article

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Liturgical music and electronic technology : Contemporary soundingsSALIERS, D. E.Studia liturgica. 1998, Vol 28, Num 2, pp 166-176, issn 0039-3207Conference Paper

Occupational Rhetoric and Ideology : A Comparison of Copy and Original Music PerformersGROCE, S. B.Qualitative sociology. 1989, Vol 12, Num 4, pp 391-410, issn 0162-0436Article

FOR SPECIAL MUSIC EFFECTS BUILD A PORTABLE SYNTHETIZER. III.SIMONTON JS JR.1975; RADIO ELECTRON.; U.S.A.; DA. 1975; VOL. 46; NO 12; PP. 48-87 (5P.)Article

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La formation et l'évolution de Gustav Mahler = Gustav Mahler's training and evolutionSCHORSKE, C. E; YMONET, M.Actes de la recherche en sciences sociales. 1993, Num 100, pp 5-15, issn 0335-5322Article

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